Describing his attempt to find his photograph (the portrait of the artist as a younger brute) in an old issue of the Briceland Gazette, Humbert Humbert (the narrator and main character in VN’s novel Lolita, 1955) quotes the words of the author of Dark Age "wine, wine, wine, may suit a Persian bubble bird, but I say give me rain, rain, rain on the shingle roof for roses and inspiration every time:"
A curious urge to relive my stay there with Lolita had got hold of me. I was entering a phase of existence where I had given up all hope of tracing her kidnapper and her. I now attempted to fall back on old settings in order to save what still could be saved in the way of souvenir, souvenir que me veux-tu? Autumn was ringing in the air. To a post card requesting twin beds Professor Hamburg got a prompt expression of regret in reply. They were full up. They had one bathless basement room with four beds which they thought I would not want. Their note paper was headed:
The Enchanted Hunters
Near Churches
No Dogs
All legal beverages
I wondered if the last statement was true. All? Did they have for instance sidewalk grenadine? I also wondered if a hunter, enchanted or otherwise, would not need a pointer more than a pew, and with a spasm of pain I recalled a scene worthy of a great artist: petite nymphe accroupie; but that silky cocker spaniel had perhaps been a baptized one. No - I felt I could not endure the throes of revisiting that lobby. There was a much better possibility of retrievable time elsewhere in soft, rich-colored, autumnal Briceland. Leaving Rita in a bar, I made for the town library. A twittering spinster was only too glad to help me disinter mid-August 1947 from the bound Briceland Gazette, and presently, in a secluded nook under a naked light, I was turning the enormous and fragile pages of a coffin-black volume almost as big as Lolita.
Reader! Bruder! What a foolish Hamburg that Hamburg was! Since his supersensitive system was loath to face the actual scene, he thought he could at least enjoy a secret part of it - which reminds one of the tenth or twentieth soldier in the raping queue who throws the girl’s black shawl over her white face so as not to see those impossible eyes while taking his military pleasure in the sad, sacked village. What I lusted to get was the printed picture that had chanced to absorb my trespassing image while the Gazette’s photographer was concentrating on Dr. Braddock and his group. Passionately I hoped to find preserved the portrait of the artist as a younger brute. An innocent camera catching me on my dark way to Lolita’s bed - what a magnet for Mnemosyne! I cannot well explain the true nature of that urge of mine. It was allied, I suppose, to that swooning curiosity which impels one to examine with a magnifying glass bleak little figures - still life practically, and everybody about to throw up - at an early morning execution, and the patient’s expression impossible to make out in the print. Anyway, I was literally gasping for breath, and one corner of the book of doom kept stabbing me in the stomach while I scanned and skimmed… Brute Force and Possessed were coming on Sunday, the 24th, to both theatres. Mr. Purdom, independent tobacco auctioneer, said that ever since 1925 he had been an Omen Faustum smoker. Husky Hank and his petite bride were to be the guests of Mr. and Mrs. Reginald G. Gore, 58 Inchkeith Ave. The size of certain parasites is one sixth of the host. Dunkerque was fortified in the tenth century. Misses’ socks, 39 c. Saddle Oxfords 3.98. Wine, wine, wine, quipped the author of Dark Age who refused to be photographed, may suit a Persian bubble bird, but I say give me rain, rain, rain on the shingle roof for roses and inspiration every time. Dimples are caused by the adherence of the skin to the deeper tissues. Greeks repulse a heavy guerrilla assault - and, ah, at last, a little figure in white, and Dr. Braddock in black, but whatever spectral shoulder was brushing against his ample form - nothing of myself could I make out. (2.26)
In Omar Khayyam's Quatrain 6 the Nightingale cries to the Rose "Wine! Wine! Wine! Red Wine!”:
And David’s lips are lockt; but in divine
High-piping Pehlevi, with “Wine! Wine! Wine!
Red Wine!” – the Nightingale cries to the Rose
That sallow cheek of hers t’ incarnadine.
A Persian poet and astronomer, Omar Khayyam (1048-1131) said: "How sad, a heart that does not know how to love, that does not know what it is to be drunk with love. If you are not in love, how can you enjoy the blinding light of the sun, the soft light of the moon." Describing the unkempt lawn of the Haze house in Ramsdale, Humbert says that most of the dandelions had changed from suns to moons:
The sun made its usual round of the house as the afternoon ripened into evening. I had a drink. And another. And yet another. Gin and pineapple juice, my favorite mixture, always double my energy. I decided to busy myself with our unkempt lawn. Une petite attention. It was crowded with dandelions, and a cursed dog - I loathe dogs - had defiled the flat stones where a sundial had once stood. Most of the dandelions had changed from suns to moons. The gin and Lolita were dancing in me, and I almost fell over the folding chairs that I attempted to dislodge. Incarnadine zebras! There are some eructations that sound like cheers - at least, mine did. An old fence at the back of the garden separated us from the neighbor’s garbage receptacles and lilacs; but there was nothing between the front end of our lawn (where it sloped along one side of the house) and the street. Therefore I was able to watch (with the smirk of one about to perform a good action) for the return of Charlotte: that tooth should be extracted at once. As I lurched and lunged with the hand mower, bits of grass optically twittering in the low sun, I kept an eye on that section of suburban street. It curved in from under an archway of huge shade trees, then sped towards us down, down, quite sharply, past old Miss Opposite’s ivied brick house and high-sloping lawn (much trimmer than ours) and disappeared behind our own front porch which I could not see from where I happily belched and labored. The dandelions perished. A reek of sap mingled with the pineapple. Two little girls, Marion and Mabel, whose comings and goings I had mechanically followed of late (but who could replace my Lolita?) went toward the avenue (from which our Lawn Street cascaded), one pushing a bicycle, the other feeding from a paper bag, both talking at the top of their sunny voices. Leslie, old Miss Opposite’s gardener and chauffeur, a very amiable and athletic Negro, grinned at me from afar and shouted, re-shouted, commented by gesture, that I was mighty energetic today. The fool dog of the prosperous junk dealer next door ran after a blue car - not Charlotte’s. The prettier of the two little girls (Mabel, I think), shorts, halter with little to halt, bright hair - a nymphet, by Pan! - ran back down the street crumpling her paper bag and was hidden from this Green Goat by the frontage of Mr. And Mrs. Humbert’s residence. A station wagon popped out of the leafy shade of the avenue, dragging some of it on its roof before the shadows snapped, and swung by at an idiotic pace, the sweatshirted driver roof-holding with his left hand and the junkman’s dog tearing alongside. There was a smiling pauseand then, with a flutter in my breast, I witnessed the return of the Blue Sedan. I saw it glide downhill and disappear behind the corner of the house. I had a glimpse of her calm pale profile. It occurred to me that until she went upstairs she would not know whether I had gone or not. A minute later, with an expression of great anguish on her face, she looked down at me from the window of Lo’s room. By sprinting upstairs, I managed to reach that room before she left it. (1.17)
Dandelion Wine (1957) is a coming of age novel by Ray Bradbury (an American writer, 1920-2012). It developed from the short story Dandelion Wine, which appeared in the June 1953 issue of Gourmet magazine. Ray Bradbury is the author of Fahrenheit 451 (1953). Describing Lolita's illness and hospitalization in Elphinstone, Humbert mentions the, meaningless to him, degrees Fahrenheit:
Mrs. Hays, the brisk, briskly rouged, blue-eyed widow who ran the motor court, asked me if I were Swiss perchance, because her sister had married a Swiss ski instructor. I was, whereas my daughter happened to be half Irish. I registered, Hays gave me the key and a tinkling smile, and, still twinkling, showed me where to park the car; Lo crawled out and shivered a little: the luminous evening air was decidedly crisp. Upon entering the cabin, she sat down on a chair at a card table, buried her face in the crook of her arm and said she felt awful. Shamming, I thought, shamming, no doubt, to evade my caresses; I was passionately parched; but she began to whimper in an unusually dreary way when I attempted to fondle her. Lolita ill. Lolita dying. Her skin was scalding hot! I took her temperature, orally, then looked up a scribbled formula I fortunately had in a jotter and after laboriously reducing the, meaningless to me, degrees Fahrenheit to the intimate centigrade of my childhood, found she had 40.4, which at least made sense. Hysterical little nymphs might, I knew, run up all kinds of temperatureeven exceeding a fatal count. And I would have given her a sip of hot spiced wine, and two aspirins, and kissed the fever away, if, upon an examination of her lovely uvula, one of the gems of her body, I had not seen that it was a burning red. I undressed her. Her breath was bittersweet. Her brown rose tasted of blood. She was shaking from head to toe. She complained of a painful stiffness in the upper vertebraeand I thought of poliomyelitis as any American parent would. Giving up all hope of intercourse, I wrapped her in a laprobe and carried her into the car. Kind Mrs. Hays in the meantime had alerted the local doctor. “You are lucky it happened here,” she said; for not only was Blue the best man in the district, but the Elphinstone hospital was as modern as modern could be, despite its limited capacity. With a heterosexual Erlkönig in pursuit, thither I drove, half-blinded by a royal sunset on the lowland side and guided by a little old woman, a portable witch, perhaps his daughter, whom Mrs. Hays had lent me, and whom I was never to see again. Dr. Blue, whose learning, no doubt, was infinitely inferior to his reputation, assured me it was a virus infection, and when I alluded to her comparatively recent flu, curtly said this was another bug, he had forty such cases on his hands; all of which sounded like the “ague” of the ancients. I wondered if I should mention, with a casual chuckle, that my fifteen-year-old daughter had had a minor accident while climbing an awkward fence with her boy friend, but knowing I was drunk, I decided to withhold the information till later if necessary. To an unsmiling blond bitch of a secretary I gave my daughter’s age as “practically sixteen.” While I was not looking, my child was taken away from me! In vain I insisted I be allowed to spend the night on a “welcome” mat in a corner of their damned hospital. I ran up constructivistic flights of stairs, I tried to trace my darling so as to tell her she had better not babble, especially if she felt as lightheaded as we all did. At one point, I was rather dreadfully rude to a very young and very cheeky nurse with overdeveloped gluteal parts and blazing black eyesof Basque descent, as I learned. Her father was an imported shepherd, a trainer of sheep dogs. Finally, I returned to the car and remained in it for I do not know how many hours, hunched up in the dark, stunned by my new solitude, looking out open-mouthed now at the dimly illumined, very square and low hospital building squatting in the middle of its lawny block, now up at the wash of stars and the jagged silvery ramparts of the haute montagne where at the moment Mary’s father, lonely Joseph Lore was dreaming of Oloron, Lagore, Rolas - que sais-je! - or seducing a ewe. Such-like fragrant vagabond thoughts have been always a solace to me in times of unusual stress, and only when, despite liberal libations, I felt fairly numbed by the endless night, did I think of driving back to the motel. The old woman had disappeared, and I was not quite sure of my way. Wide gravel roads criss-crossed drowsy rectangual shadows. I made out what looked like the silhouette of gallows on what was probably a school playground; and in another wastelike black there rose in domed silence the pale temple of some local sect. I found the highway at last, and then the motel, where millions of so-called “millers,” a kind of insect, were swarming around the neon contours of “No Vacancy”; and, when, at 3 a. m., after one of those untimely hot showers which like some mordant only help to fix a man’s despair and weariness, I lay on her bed that smelled of chestnuts and roses, and peppermint, and the very delicate, very special French perfume I latterly allowed her to use, I found myself unable to assimilate the simple fact that for the first time in two years I was separated from my Lolita. All at once it occurred to me that her illness was somehow the development of a themethat it had the same taste and tone as the series of linked impressions which had puzzled and tormented me during our journey; I imagined that secret agent, or secret lover, or prankster, or hallucination, or whatever he was, prowling around the hospital - and Aurora had hardly “warmed her hands,” as the pickers of lavender say in the country of my birth, when I found myself trying to get into that dungeon again, knocking upon its green doors, breakfastless, stool-less, in despair. (2.22)
"Give me rain, rain, rain on the shingle roof for roses and inspiration every time" brings to mind the rain in Ray Bradbury's story All Summer in a Day (1954):
"Ready?"
"Ready."
"Now?"
"Soon."
"Do the scientists really know? Will it happen today, will it?"
"Look, look; see for yourself!"
The children pressed to each other like so many roses, so many weeds, intermixed, peering out for a look at the hidden sun.
It rained.
It had been raining for seven years; thousands upon thousands of days compounded and filled from one end to the other with rain, with the drum and gush of water, with the sweet crystal fall of showers and the concussion of storms so heavy they were tidal waves come over the islands. A thousand forests had been crushed under the rain and grown up a thousand times to be crushed again. And this was the way life was forever on the planet Venus, and this was the schoolroom of the children of the rocket men and women who had come to a raining world to set up civilization and live out their lives.
The number 342 that reappears in Lolita three times (342 Lawn Street is the address of the Haze house in Ramsdale; 342 is Humbert's and Lolita's room in The Enchanted Hunters; between July 5 and November 18, 1949, Humbert registered at 342 hotels, motels and tourist homes) seems to hint at Earth, Mars and Venus (the third, the fourth, and the second planet of the Solar System). The Martian Chronicles (1950) is a short-story collection by Ray Bradbury. In St. Petersburg (VN's home city on the banks of the Neva) there are 342 bridges.