Just before his transatlantic journey on Admiral Tobakoff Van Veen (the narrator and main character in VN’s novel Ada, 1969) travels to an English floramor (one of the hundred palatial brothels built all over the world by David van Veen in memory of his grandson Eric) in a jolls-joyce (ancient limousine):
Van, in whom the pink-blooming chestnuts of Chose always induced an amorous mood, decided to squander the sudden bounty of time before his voyage to America on a twenty-four-hour course of treatment at the most fashionable and efficient of all the Venus Villas in Europe; but during the longish trip in the ancient, plushy, faintly perfumed (musk? Turkish tobacco?) limousine which he usually got from the Albania, his London hotel, for travels in England, other restless feelings joined, without dispelling it, his sullen lust. Rocking along softly, his slippered foot on a footrest, his arm in an armloop, he recalled his first railway journey to Ardis and tried — what he sometimes advised a patient doing in order to exercise the ‘muscles of consciousness’ — namely putting oneself back not merely into the frame of mind that had preceded a radical change in one’s life, but into a state of complete ignorance regarding that change. He knew it could not be done, that not the achievement, but the obstinate attempt was possible, because he would not have remembered the preface to Ada had not life turned the next page, causing now its radiant text to flash through all the tenses of the mind. He wondered if he would remember the present commonplace trip. An English late spring with literary associations lingered in the evening air. The built-in ‘canoreo’ (an old-fashioned musical gadget which a joint Anglo-American Commission had only recently unbanned) transmitted a heart-wounding Italian song. What was he? Who was he? Why was he? He thought of his slackness, clumsiness, dereliction of spirit. He thought of his loneliness, of its passions and dangers. He saw through the glass partition the fat, healthy, reliable folds of his driver’s neck. Idle images queued by — Edmund, Edmond, simple Cordula, fantastically intricate Lucette, and, by further mechanical association, a depraved little girl called Lisette, in Cannes, with breasts like lovely abscesses, whose frail favors were handled by a smelly big brother in an old bathing machine.
He turned off the canoreo and helped himself to the brandy stored behind a sliding panel, drinking from the bottle, because all three glasses were filthy. He felt surrounded by crashing great trees, and the monstrous beasts of unachieved, perhaps unachievable tasks. One such task was Ada whom he knew he would never give up; to her he would surrender the remnants of his self at the first trumpet blast of destiny. Another was his philosophic work, so oddly impeded by its own virtue — by that originality of literary style which constitutes the only real honesty of a writer. He had to do it his own way, but the cognac was frightful, and the history of thought bristled with clichés, and it was that history he had to surmount.
He knew he was not quite a savant, but completely an artist. Paradoxically and unnecessarily it had been in his ‘academic career,’ in his nonchalent and arrogant lectures, in his conduct of seminars, in his published reports on sick minds, that, starting as something of a prodigy before he was twenty, he had gained by the age of thirty-one ‘honors’ and a ‘position’ that many unbelievably laborious men do not reach at fifty. In his sadder moments, as now, he attributed at least part of his ‘success’ to his rank, to his wealth, to the numerous donations, which (in a kind of extension of his overtipping the haggard beggars who cleaned rooms, manned lifts, smiled in hotel corridors) he kept showering upon worthwhile institutions and students. Maybe Van Veen did not err too widely in his wry conjecture; for on our Antiterra (and on Terra as well, according to his own writings) a powerfully plodding Administration prefers, unless moved by the sudden erection of a new building or the thunder of torrential funds, the safe drabness of an academic mediocrity to the suspect sparkle of a V.V.
Nightingales sang, when he arrived at his fabulous and ignoble destination. As usual, he experienced a surge of brutal elation as the car entered the oak avenue between two rows of phallephoric statues presenting arms. A welcome habitué of fifteen years’ standing, he had not bothered to ‘telephone’ (the new official term). A searchlight lashed him: Alas, he had come on a ‘gala’ night!
Members usually had their chauffeurs park in a special enclosure near the guardhouse, where there was a pleasant canteen for servants, with nonalcoholic drinks and a few inexpensive and homely whores. But that night several huge police cars occupied the garage boxes and overflowed into an adjacent arbor. Telling Kingsley to wait a moment under the oaks, Van donned his bautta and went to investigate. His favorite walled walk soon took him to one of the spacious lawns velveting the approach to the manor. The grounds were lividly illuminated and as populous as Park Avenue — an association that came very readily, since the disguises of the astute sleuths belonged to a type which reminded Van of his native land. Some of those men he even knew by sight — they used to patrol his father’s club in Manhattan whenever good Gamaliel (not reelected after his fourth term) happened to dine there in his informal gagality. They mimed what they were accustomed to mime — grapefruit vendors, black hawkers of bananas and banjoes, obsolete, or at least untimely, ‘copying clerks’ who hurried in circles to unlikely offices, and peripatetic Russian newspaper readers slowing down to a trance stop and then strolling again behind their wide open Estotskiya Vesti. Van remembered that Mr Alexander Screepatch, the new president of the United Americas, a plethoric Russian, had flown over to see King Victor; and he correctly concluded that both were now sunk in mollitude. The comic side of the detectives’ display (befitting, perhaps, their dated notion of an American sidewalk, but hardly suiting a weirdly illuminated maze of English hedges) tempered his disappointment as he shuddered squeamishly at the thought of sharing the frolics of historical personages or contenting himself with the brave-faced girlies they had started to use and rejected.
Here a bedsheeted statue attempted to challenge Van from its marble pedestal but slipped and landed on its back in the bracken. Ignoring the sprawling god, Van returned to the still-throbbing jolls-joyce. Purple-jowled Kingsley, an old tried friend, offered to drive him to another house, ninety miles north; but Van declined upon principle and was taken back to the Albania. (3.4)
Darkbloom ('Notes to Ada'): Vesti: Russ., News.
The still-throbbing jolls-joyce seems to combine Rolls-Royce (a luxury car) with James Joyce (an Irish writer, 1882-1941). On the other hand, in his memoir essay Such, Such Were the Joys (1947) George Orwell (an English writer, 1903-50) mentions Rolls-Royces and Daimlers:
I had learned early in my career that one can do wrong against one's will, and before long I also learned that one can do wrong without ever discovering what one has done or why it was wrong. There were sins that were too subtle to be explained, and there were others that were too terrible to be clearly mentioned. For example, there was sex, which was always smouldering just under the surface and which suddenly blew up into a tremendous row when I was about twelve.
At some preparatory schools homosexuality is not a problem but I think that St Cyprian's may have acquired a ‘bad tone’ thanks to the presence of the South American boys, who would perhaps mature a year or two earlier than an English boy. At that age I was not interested, so I so not actually know what went on, but I imagine it was group masturbation. At any rate, one day the storm suddenly burst over our heads. There were summonses, interrogations, confessions, floggings, repentances, solemn lectures of which one understood nothing except that some irredeemable sin known as ‘swinishness’ or ‘beastliness’ had been committed. One of the ringleaders a boy named Horne, was flogged, according to eye-witnesses, for a quarter of an hour continuously before being expelled. His yells rang through the house. But we were all implicated, more or less, or felt ourselves to be implicated. Guilt seemed to hang in the air like a pall or smoke. A solemn, black-haired imbecile of an assistant master, who was later to be a Member of Parliament took the older boys to a secluded room and delivered a talk on the Temple of the Body.
‘Don't you realize what a wonderful thing your body is?’ he said gravely. ‘You talk of your motor-car engines, your Rolls-Royces and Daimlers and so on. Don't you understand that no engine ever made is fit to be compared with your body? And then you go and wreck it, ruin it — for life!’
He turned his cavernous black eyes on me and added quite sadly:
‘And you, whom I'd always believed to be quite a decent person after your fashion — you, I hear, are one of the very worst.’
A feeling of doom descended upon me. So I was guilty too. I too had done the dreadful thing, whatever it was, that wrecked you for life, body and soul, and ended in suicide or the lunatic asylum. Till then I had hoped that I was innocent, and the conviction of sin which now took possession of me was perhaps all the stronger because I did not know what I had done. I was not among those who were interrogated and flogged, and it was not until the row was well over that I even learned about the trivial accident that had connected my name with it. Even then I understood nothing. It was not till about two years later that I fully grasped what that lecture on the Temple of the Body had referred to. (IV)
Eric Blair (George Orwell's real name) chose his pseudonym after the River Orwell that flows through the county of Suffolk in England from Ipswich to Felixstowe. The name of Van's prep-school is Riverlane. Describing his love-makings with Ada in “Ardis the Second,” Van mentions his Venus Villa sessions and earlier visits to the riverhouses of Ranta or Livida:
Amorously, now, in her otherwise dolorous and irresolute adolescence, Ada was even more aggressive and responsive than in her abnormally passionate childhood. A diligent student of case histories, Dr Van Veen never quite managed to match ardent twelve-year-old Ada with a non-delinquent, non-nymphomaniac, mentally highly developed, spiritually happy and normal English child in his files, although many similar little girls had bloomed — and run to seed — in the old châteaux of France and Estotiland as portrayed in extravagant romances and senile memoirs. His own passion for her Van found even harder to study and analyze. When he recollected caress by caress his Venus Villa sessions, or earlier visits to the riverhouses of Ranta or Livida, he satisfied himself that his reactions to Ada remained beyond all that, since the merest touch of her finger or mouth following a swollen vein produced not only a more potent but essentially different delicia than the slowest ‘winslow’ of the most sophisticated young harlot. What, then, was it that raised the animal act to a level higher than even that of the most exact arts or the wildest flights of pure science? It would not be sufficient to say that in his love-making with Ada he discovered the pang, the ogon’, the agony of supreme ‘reality.’ Reality, better say, lost the quotes it wore like claws — in a world where independent and original minds must cling to things or pull things apart in order to ward off madness or death (which is the master madness). For one spasm or two, he was safe. The new naked reality needed no tentacle or anchor; it lasted a moment, but could be repeated as often as he and she were physically able to make love. The color and fire of that instant reality depended solely on Ada’s identity as perceived by him. It had nothing to do with virtue or the vanity of virtue in a large sense — in fact it seemed to Van later that during the ardencies of that summer he knew all along that she had been, and still was, atrociously untrue to him — just as she knew long before he told her that he had used off and on, during their separation, the live mechanisms tense males could rent for a few minutes as described, with profuse woodcuts and photographs, in a three-volume History of Prostitution which she had read at the age of ten or eleven, between Hamlet and Captain Grant’s Microgalaxies. (1.35)
Darkbloom (‘Notes to Ada’): ogon’: Russ., fire.
Microgalaxies: known on Terra as Les Enfants du Capitaine Grant, by Jules Verne.
According to Van, he frequented brothels since his sixteenth year:
Because the particular floramor that I visited for the first time on becoming a member of the Villa Venus Club (not long before my second summer with my Ada in the arbors of Ardis) is today, after many vicissitudes, the charming country house of a Chose don whom I respect, and his charming family (charming wife and a triplet of charming twelve-year-old daughters, Ala, Lolá and Lalage — especially Lalage), I cannot name it — though my dearest reader insists I have mentioned it somewhere before.
I have frequented bordels since my sixteenth year, but although some of the better ones, especially in France and Ireland, rated a triple red symbol in Nugg’s guidebook, nothing about them pre-announced the luxury and mollitude of my first Villa Venus. It was the difference between a den and an Eden. (2.3)
Van's jolls-joyce is a car. The mother of Eric Veen (the young author of an essay entitled 'Venus Venus: an Organized Dream') was killed in a car accident:
In the spring of 1869, David van Veen, a wealthy architect of Flemish extraction (in no way related to the Veens of our rambling romance), escaped uninjured when the motorcar he was driving from Cannes to Calais blew a front tire on a frost-blazed road and tore into a parked furniture van; his daughter sitting beside him was instantly killed by a suitcase sailing into her from behind and breaking her neck. In his London studio her husband, an unbalanced, unsuccessful painter (ten years older than his father-in-law whom he envied and despised) shot himself upon receiving the news by cablegram from a village in Normandy called, dreadfully, Deuil.
The momentum of disaster lost none of its speed, for neither did Eric, a boy of fifteen, despite all the care and adoration which his grandfather surrounded him with, escape a freakish fate: a fate strangely similar to his mother’s.
After being removed from Note to a small private school in Vaud Canton and then spending a consumptive summer in the Maritime Alps, he was sent to Ex-en-Valais, whose crystal air was supposed at the time to strengthen young lungs; instead of which its worst hurricane hurled a roof tile at him, fatally fracturing his skull, Among the boy’s belongings David van Veen found a number of poems and the draft of an essay entitled’ Villa Venus: an Organized Dream.’
To put it bluntly, the boy had sought to solace his first sexual torments by imagining and detailing a project (derived from reading too many erotic works found in a furnished house his grandfather had bought near Vence from Count Tolstoy, a Russian or Pole): namely, a chain of palatial brothels that his inheritance would allow him to establish all over ‘both hemispheres of our callipygian globe.’ The little chap saw it as a kind of fashionable club, with branches, or, in his poetical phrase, ‘Floramors,’ in the vicinity of cities and spas. Membership was to be restricted to noblemen, ‘handsome and healthy,’ with an age limit of fifty (which must be praised as very broadminded on the poor kid’s part), paying a yearly fee of 3650 guineas not counting the cost of bouquets, jewels and other gallant donations. Resident female physicians, good-looking and young (‘of the American secretarial or dentist-assistant type’), would be there to check the intimate physical condition of ‘the caresser and the caressed’ (another felicitous formula) as well as their own if ‘the need arose,’ One clause in the Rules of the Club seemed to indicate that Eric, though frenziedly heterosexual, had enjoyed some tender ersatz fumblings with schoolmates at Note (a notorious preparatory school in that respect): at least two of the maximum number of fifty inmates in the major floramors might be pretty boys, wearing frontlets and short smocks, not older than fourteen if fair, and not more than twelve if dark. However, in order to exclude a regular flow of ‘inveterate pederasts,’ boy love could be dabbled in by the jaded guest only between two sequences of three girls each, all possessed in the course of the same week — a somewhat comical, but not unshrewd, stipulation. (2.3)
Eric's preparatory school, Note is Eton in reverse. In Such, Such Were the Joys Orwell describes his own expensive and snobbish school (St. Cyprian's) and several times mentions Eton (Eton College, a leading boy's boarding school) and Eton collars:
St Cyprian's was an expensive and snobbish school which was in process of becoming more snobbish, and, I imagine, more expensive. The public school with which it had special connexions was Harrow, but during my time an increasing proportion of the boys went on to Eton. Most of them were the children of rich parents, but on the whole they were the un-aristocratic rich, the sort of people who live in huge shrubberied houses in Bournemouth or Richmond, and who have cars and butlers but not country estates. There were a few exotics among them — some South American boys, sons of Argentine beef barons, one or two Russians, and even a Siamese prince, or someone who was described as a prince.
Sambo had two great ambitions. One was to attract titled boys to the school, and the other was to train up pupils to win scholarships at public schools, above all at Eton. He did, towards the end of my time, succeed in getting hold of two boys with real English titles. One of them, I remember, was a wretched drivelling little creature, almost an albino, peering upwards out of weak eyes, with a long nose at the end of which a dewdrop always seemed to be trembling. Sambo always gave these boys their titles when mentioning them to a third person, and for their first few days he actually addressed them to their faces as ‘Lord So-and-so.’ Needless to say he found ways of drawing attention to them when any visitor was being shown round the school. Once, I remember, the little fair-haired boy had a choking fit at dinner, and a stream of snot ran out of his nose on to his plate in a way horrible to see. Any lesser person would have been called a dirty little beast and ordered out of the room instantly: but Sambo and Flip laughed it off in a ‘boys will be boys' spirit. (II)
The question is not whether boys are still buckled into Eton collars on Sunday, or told that babies are dug up under gooseberry bushes. That kind of thing is at an end, admittedly. The real question is whether it is still normal for a school child to live for years amid irrational terrors and lunatic misunderstandings. And here one is up against the very great difficulty of knowing what a child really feels and thinks. A child which appears reasonably happy may actually be suffering horrors which it cannot or will not reveal. It lives in a sort of alien under-water world which we can only penetrate by memory or divination. Our chief clue is the fact that we were once children ourselves, and many people appear to forget the atmosphere of their own childhood almost entirely. Think for instance of the unnecessary torments that people will inflict by sending a child back to school with clothes to the wrong pattern, and refusing to see that this matters! Over things of this kind a child will sometimes utter a protest, but a great deal of the time its attitude is one of simple concealment. Not to expose your true feelings to an adult seems to be instinctive from the age of seven or eight onwards. Even the affection that one feels for a child, the desire to protect and cherish it, is a cause of misunderstanding. One can love a child, perhaps, more deeply than one can love another adult, but it is rash to assume that the child feels any love in return. Looking back on my own childhood, after the infant years were over, I do not believe that I ever felt love for any mature person, except my mother, and even her I did not trust, in the sense that shyness made me conceal most of my real feelings from her. Love, the spontaneous, unqualified emotion of love, was something I could only feel for people who were young. Towards people who were old — and remember that ‘old’ to a child means over thirty, or even over twenty-five — I could feel reverence respect, admiration or compunction, but I seemed cut off from them by a veil of fear and shyness mixed up with physical distaste. People are too ready to forget the child's physical shrinking from the adult. The enormous size of grown-ups, their ungainly, rigid bodies, their coarse, wrinkled skins, their great relaxed eyelids, their yellow teeth, and the whiffs of musty clothes and beer and sweat and tobacco that disengage from them at every movement! Part of the reason for the ugliness of adults, in a child's eyes, is that the child is usually looking upwards, and few faces are at their best when seen from below. Besides, being fresh and unmarked itself, the child has impossibly high standards in the matter of skin and teeth and complexion. But the greatest barrier of all is the child's misconception about age. A child can hardly envisage life beyond thirty, and in judging people's ages it will make fantastic mistakes. It will think that a person of twenty-five is forty, that a person of forty is sixty-five, and so on. Thus, when I fell in love with Elsie I took her to be grown-up. I met her again, when I was thirteen and she, I think, must have been twenty-three; she now seemed to me a middle-aged woman, somewhat past her best. And the child thinks of growing old as an almost obscene calamity, which for some mysterious reason will never happen to itself. All who have passed the age of thirty are joyless grotesques, endlessly fussing about things of no importance and staying alive without so far as the child can see, having anything to live for. Only child life is real life. The schoolmaster who imagines that he is loved and trusted by his boys is in fact mimicked and laughed at behind his back. An adult who does not seem dangerous nearly always seems ridiculous. (VI)
Elsie brings to mind Elsie de Nord, a vulgar literary demimondaine who thought that Lyovin (a character in Tolstoy's Anna Karenin, 1875-77) went about Moscow in a nagol’nïy tulup, ‘a muzhik’s sheepskin coat, bare side out, bloom side in,’ Elsie Rack (the wife of Philip Rack, Lucette's music teacher and composer who was poisoned by Elsie and dies in Ward Five of the Kalugano hospital) and Miss Elsie Langford (a nurse at the Clinic in Chose, Van's English University).
George Orwell is the author of Ironic Poem about Prostitution:
When I was young and had no sense
In far-off Mandalay
I lost my heart to a Burmese girl
As lovely as the day.
Her skin was gold, her hair was jet,
Her teeth were ivory;
I said, "for twenty silver pieces,
Maiden, sleep with me".
She looked at me, so pure, so sad,
The loveliest thing alive,
And in her lisping, virgin voice,
Stood out for twenty-five.
A Burmesee girl and a Siamese prince, or someone who was described as a prince (mentioned by Orwell in Such, Such Were the Joyce), bring to mind the Rajah of Cachou (an impostor) who was infected with a venereal disease by a (genuine) great-grandniece of Empress Josephine in one of Eric's floramors:
When the deterioration of the club set in, it proceeded with amazing rapidity along several unconnected lines. Girls of flawless pedigree turned out to be wanted by the police as the ‘molls’ of bandits with grotesque jaws, or to have been criminals themselves. Corrupt physicians passed faded blondes who had had half a dozen children, some of them being already prepared to enter remote floramors themselves. Cosmeticians of genius restored forty-year-old matrons to look and smell like schoolgirls at their first prom. Highborn gentlemen, magistrates of radiant integrity, mild-mannered scholars, proved to be such violent copulators that some of their younger victims had to be hospitalized and removed to ordinary lupanars. The anonymous protectors of courtesans bought medical inspectors, and the Rajah of Cachou (an impostor) was infected with a venereal disease by a (genuine) great-grandniece of Empress Josephine. Simultaneously, economic disasters (beyond the financial or philosophical ken of invulnerable Van and Demon but affecting many persons of their set) began to restrict the esthetic assets of Villa Venus. Disgusting pimps with obsequious grins disclosing gaps in their tawny teeth popped out of rosebushes with illustrated pamphlets, and there were fires and earthquakes, and quite suddenly, out of the hundred original palazzos, only a dozen remained, and even those soon sank to the level of stagnant stews, and by 1910 all the dead of the English cemetery at Ex had to be transferred to a common grave. (2.3)
The Empress of the French, Josephine Beauharnais (1763-1814) was Napoleon's first wife. Napoleon is the name of an anthropomorphig pig in George Orwell fairy story Animal Farm (1945). During Van's first tea party at Ardis Marina (Van's, Ada's and Lucette's mother) tells Van that she loved to identify herself with famous beauties - Lincoln’s second wife or Queen Josephine:
They now had tea in a prettily furnished corner of the otherwise very austere central hall from which rose the grand staircase. They sat on chairs upholstered in silk around a pretty table. Ada’s black jacket and a pink-yellow-blue nosegay she had composed of anemones, celandines and columbines lay on a stool of oak. The dog got more bits of cake than it did ordinarily. Price, the mournful old footman who brought the cream for the strawberries, resembled Van’s teacher of history, ‘Jeejee’ Jones.
‘He resembles my teacher of history,’ said Van when the man had gone.
‘I used to love history,’ said Marina, ‘I loved to identify myself with famous women. There’s a ladybird on your plate, Ivan. Especially with famous beauties — Lincoln’s second wife or Queen Josephine.’
‘Yes, I’ve noticed — it’s beautifully done. We’ve got a similar set at home.’
‘Slivok (some cream)? I hope you speak Russian?’ Marina asked Van, as she poured him a cup of tea.
‘Neohotno no sovershenno svobodno (reluctantly but quite fluently),’ replied Van, slegka ulïbnuvshis’ (with a slight smile). ‘Yes, lots of cream and three lumps of sugar.’
‘Ada and I share your extravagant tastes. Dostoevski liked it with raspberry syrup.’
‘Pah,’ uttered Ada. (1.5)
Darkbloom ('Notes to Ada'): with a slight smile: a pet formula of Tolstoy’s denoting cool superiority, if not smugness, in a character’s manner of speech.
The characters in Ada include Kim Beauharnais, a kitchen boy and photographer at Ardis whom Van blinds for spying on him and Ada and attempting to blackmail Ada. At the beginning of a chapter in which he decribes his trip to Bath in a jolls-joyce Van tells about Spencer Muldoon, one of the three blind characters in Ada (the third is the son of Trofim Fartukov, the Russian coachman in "Ardis the Second," and Blanche, a French handmaid at Ardis):
A teasy problem demanded Dr Veen’s presence in England.
Old Paar of Chose had written him that the ‘Clinic’ would like him to study a singular case of chromesthesia, but that given certain aspects of the case (such as a faint possibility of trickery) Van should come and decide for himself whether he thought it worth the trouble to fly the patient to Kingston for further observation. One Spencer Muldoon, born eyeless, aged forty, single, friendless, and the third blind character in this chronicle, had been known to hallucinate during fits of violent paranoia, calling out the names of such shapes and substances as he had learned to identify by touch, or thought he recognized through the awfulness of stories about them (falling trees, extinct saurians) and which now pressed on him from all sides, alternating with periods of stupor, followed invariably by a return to his normal self, when for a week or two he would finger his blind books or listen, in red-lidded bliss, to records of music, bird songs, and Irish poetry.
His ability to break space into ranks and files of ‘strong’ and ‘weak’ things in what seemed a wallpaper pattern remained a mystery until one evening, when a research student (R.S. — he wished to remain that way), who intended to trace certain graphs having to do with the metabasis of another patient, happened to leave within Muldoon’s reach one of those elongated boxes of new, unsharpened, colored-chalk pencils whose mere evocation (Dixon Pink Anadel!) make one’s memory speak in the language of rainbows, the tints of their painted and polished woods being graded spectrally in their neat tin container. Poor Muldoon’s childhood could not come to him with anything like such iridian recall, but when his groping fingers opened the box and palpated the pencils, a certain expression of sensual relish appeared on his parchment-pale face. Upon observing that the blind man’s eyebrows went up slightly at red, higher at orange, still higher at the shrill scream of yellow and then stepped down through the rest of the prismatic spectrum, R.S. casually told him that the woods were dyed differently — ‘red,’ ‘orange,’ ‘yellow,’ et cetera, and quite as casually Muldoon rejoined that they also felt different one from another.
In the course of several tests conducted by R.S. and his colleagues, Muldoon explained that by stroking the pencils in turn he perceived a gamut of ‘stingles,’ special sensations somehow allied to the tingling aftereffects of one’s skin contact with stinging nettles (he had been raised in the country somewhere between Ormagh and Armagh, and had often tumbled, in his adventurous boyhood, the poor thick-booted soul, into ditches and even ravines), and spoke eerily of the ‘strong’ green stingle of a piece of blotting paper or the wet weak pink tingle of nurse Langford’s perspiring nose, these colors being checked by himself against those applied by the researchers to the initial pencils. In result of the tests, one was forced to assume that the man’s fingertips could convey to his brain ‘a tactile transcription of the prismatic specter’ as Paar put it in his detailed report to Van.
When the latter arrived, Muldoon had not quite come out of a state of stupor more protracted than any preceding one. Van, hoping to examine him on the morrow, spent a delightful day conferring with a bunch of eager psychologists and was interested to spot among the nurses the familiar squint of Elsie Langford, a gaunt girl with a feverish flush and protruding teeth, who had been obscurely involved in a ‘poltergeist’ affair at another medical institution. He had dinner with old Paar in his rooms at Chose and told him he would like to have the poor fellow transferred to Kingston, with Miss Langford, as soon as he was fit to travel. The poor fellow died that night in his sleep, leaving the entire incident suspended in midair within a nimbus of bright irrelevancy. (3.4)
The nurse's surname seems to hint at Langford Court, in St John's Wood, then one of the most desirable areas of London, where Orwell lived in his later years.
The still-throbbing jolls-joyce also brings to mind "jolly good name," a phrase used by Van with regard to the Quietus pills that the Robinsons (an elderly couple) gave Lucette (Van's and Ada's half-sister who commits suicide by jumping from Admiral Tobakoff into the Atlantic):
‘Hey, look!’ he cried, pointing to a poster. ‘They’re showing something called Don Juan’s Last Fling. It’s prerelease and for adults only. Topical Tobakoff!’
‘It’s going to be an unmethylated bore,’ said Lucy (Houssaie School, 1890) but he had already pushed aside the entrance drapery.
They came in at the beginning of an introductory picture, featuring a cruise to Greenland, with heavy seas in gaudy technicolor. It was a rather irrelevant trip since their Tobakoff did not contemplate calling at Godhavn; moreover, the cinema theater was swaying in counterrhythm to the cobalt-and-emerald swell on the screen. No wonder the place was emptovato, as Lucette observed, and she went on to say that the Robinsons had saved her life by giving her on the eve a tubeful of Quietus Pills.
‘Want one? One a day keeps "no shah" away. Pun. You can chew it, it’s sweet.’
‘Jolly good name. No, thank you, my sweet. Besides you have only five left.’
‘Don’t worry, I have it all planned out. There may be less than five days.’
‘More in fact, but no matter. Our measurements of time are meaningless; the most accurate clock is a joke; you’ll read all about it someday, you just wait.’
‘Perhaps, not. I mean, perhaps I shan’t have the patience. I mean, his charwoman could never finish reading Leonardo’s palm. I may fall asleep before I get through your next book.’
‘An art-class legend,’ said Van.
‘That’s the final iceberg, I know by the music. Let’s go, Van! Or you want to see Hoole as Hooan?’ (3.5)
The Robinson's son was killed in a head-on car collision:
At five p.m., June 3, his ship had sailed from Le Havre-de-Grâce; on the evening of the same day Van embarked at Old Hantsport. He had spent most of the afternoon playing court tennis with Delaurier, the famous Negro coach, and felt very dull and drowsy as he watched the low sun’s ardency break into green-golden eye-spots a few sea-serpent yards to starboard, on the far-side slope of the bow wave. Presently he decided to turn in, walked down to the A deck, devoured some of the still-life fruit prepared for him in his sitting room, attempted to read in bed the proofs of an essay he was contributing to a festschrift on the occasion of Professor Counterstone’s eightieth birthday, gave it up, and fell asleep. A tempest went into convulsions around midnight, but despite the lunging and creaking (Tobakoff was an embittered old vessel) Van managed to sleep soundly, the only reaction on the part of his dormant mind being the dream image of an aquatic peacock, slowly sinking before somersaulting like a diving grebe, near the shore of the lake bearing his name in the ancient kingdom of Arrowroot. Upon reviewing that bright dream he traced its source to his recent visit to Armenia where he had gone fowling with Armborough and that gentleman’s extremely compliant and accomplished niece. He wanted to make a note of it — and was amused to find that all three pencils had not only left his bed table but had neatly aligned themselves head to tail along the bottom of the outer door of the adjacent room, having covered quite a stretch of blue carpeting in the course of their stopped escape.
The steward brought him a Continental breakfast, the ship’s newspaper, and the list of first-class passengers. Under ‘Tourism in Italy,’ the little newspaper informed him that a Domodossola farmer had unearthed the bones and trappings of one of Hannibal’s elephants, and that two American psychiatrists (names not given) had died an odd death in the Bocaletto range: the older fellow from heart failure and his boy friend by suicide. After pondering the Admiral’s morbid interest in Italian mountains, Van clipped the item and picked up the passenger list (pleasingly surmounted by the same crest that adorned Cordula’s notepaper) in order to see if there was anybody to be avoided during the next days. The list yielded the Robinson couple, Robert and Rachel, old bores of the family (Bob had retired after directing for many years one of Uncle Dan’s offices). His gaze, traveling on, tripped over Dr Ivan Veen and pulled up at the next name. What constricted his heart? Why did he pass his tongue over his thick lips? Empty formulas befitting the solemn novelists of former days who thought they could explain everything.
The level of the water slanted and swayed in his bath imitating the slow seesaw of the bright-blue, white-flecked sea in the porthole of his bedroom. He rang up Miss Lucinda Veen, whose suite was on the Main Deck amidships exactly above his, but she was absent. Wearing a white polo-neck sweater and tinted glasses, he went to look for her. She was not on the Games Deck from where he looked down at some other red-head, in a canvas chair on the Sun Deck: the girl sat writing a letter at passionate speed and he thought that if ever he switched from ponderous factitude to light fiction he would have a jealous husband use binoculars to decipher from where he stood that outpour of illicit affection.
She was not on the Promenade Deck where blanket-swathed old people were reading the number-one best seller Salzman and awaiting with borborygmic forebubbles the eleven o’clock bouillon. He betook himself to the Grill, where he reserved a table for two. He walked over to the bar and warmly greeted bald fat Toby who had served on the Queen Guinevere in 1889, and 1890, and 1891, when she was still unmarried and he a resentful fool. They could have eloped to Lopadusa as Mr and Mrs Dairs or Sardi!
He espied their half-sister on the forecastle deck, looking perilously pretty in a low-cut, brightly flowered, wind-worried frock, talking to the bronzed but greatly aged Robinsons. She turned toward him, brushing back the flying hair from her face with a mixture of triumph and embarrassment in her expression, and presently they took leave of Rachel and Robert who beamed after them, waving similarly raised hands to her, to him, to life, to death, to the happy old days when Demon paid all the gambling debts of their son, just before he was killed in a head-on car collision. (3.5)