Subject
VN Bibliography: Brian Boyd "Laughter and Literature: A Play
Theory of Humor"
Theory of Humor"
From
Date
Body
Philosophy and Literature, vol 28, n╨ 1, Spring 2004
Information publiИe le lundi 31 mai 2004 par Julien Desrochers.
For more than a quarter century, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers a constant source of fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy.
Volume 28, Number 1, Spring 2004
CONTENTS:
- Boyd, Brian, 1952- : Laughter and Literature: A Play Theory of Humor
Abstract: Humor seems uniquely human, but it has deep biological roots. Laughter, the best evidence suggests, derives from the ritualized breathing and open-mouth display common in animal play. Play evolved as training for the unexpected, in creatures putting themselves at risk of losing balance or dominance so that they learn to recover. Humor in turn involves play with the expectations we share-whether innate or acquired-in order to catch one another off guard in ways that simulate risk and stimulate recovery. An evolutionary approach to three great literary humorists, Shakespeare, Nabokov and Beckett, shows that a species-wide explanation not only cuts deeper but in no way diminishes individual difference
Information publiИe le lundi 31 mai 2004 par Julien Desrochers.
For more than a quarter century, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers a constant source of fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy.
Volume 28, Number 1, Spring 2004
CONTENTS:
- Boyd, Brian, 1952- : Laughter and Literature: A Play Theory of Humor
Abstract: Humor seems uniquely human, but it has deep biological roots. Laughter, the best evidence suggests, derives from the ritualized breathing and open-mouth display common in animal play. Play evolved as training for the unexpected, in creatures putting themselves at risk of losing balance or dominance so that they learn to recover. Humor in turn involves play with the expectations we share-whether innate or acquired-in order to catch one another off guard in ways that simulate risk and stimulate recovery. An evolutionary approach to three great literary humorists, Shakespeare, Nabokov and Beckett, shows that a species-wide explanation not only cuts deeper but in no way diminishes individual difference