Vladimir Nabokov

NABOKV-L post 0021773, Thu, 30 Jun 2011 21:23:34 -0300

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{NABOKOV-L] PS to O'Donnell/O'Connell
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A.Sklyarenko has been working over Nabokov's reference, in ADA, to the Sun Chariot and the equine theme. The mention of a white horse in James Joyce's "The Dead" (in the O'Connell bridge) carries us back to Sklyarenko's theme - should we follow wiki:
"White horses (which are rarer than other colours of horse) have a special significance in the mythologies of cultures around the world. They are often associated with the sun chariot,[1] with warrior-heroes, with fertility (in both mare and stallionmanifestations), or with an end-of-time saviour, but other interpretations exist as well. Both truly white horses and the more common grey horses, with completely white hair coats, were identified as "white" by various religious and cultural traditions.From earliest times white horses have been mythologised as possessing exceptional properties, transcending the normal world by having wings (e.g. Pegasus from Greek mythology), or having horns (the unicorn). As part of its legendary dimension, the white horse in myth may be depicted with seven heads (Uchaishravas) or eight feet (Sleipnir), sometimes in groups or singly. There are also white horses which are divinatory, who prophesy or warn of danger.

As a rare or distinguished symbol, a white horse typically bears the hero- or god-figure in ceremonial roles or in triumph over negative forces. Herodotus reported that white horses were held as sacred animals in the Achaemenid court of Xerxes the Great (ruled 486-465 BC),[2] while in other traditions the reverse happens when it was sacrificed to the gods.

In more than one tradition, the white horse carries patron saints or the world saviour in the end times (as in Hinduism, Christianity, and Islam), is associated with the sun or sun chariot (Ossetia) or bursts into existence in a fantastic way, emerging from the sea or a lightning bolt."

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