Content-Type: message/rfc822 Date: Tue, 10 Jun 2008 17:12:05 -0400 From: To: Subject: Submission: CFP Mime-Version: 1.0 Content-Type: multipart/mixed; boundary="=__PartB59CBE35.1__=" --=__PartB59CBE35.1__= Content-Type: multipart/alternative; boundary="=__PartB59CBE35.2__=" --=__PartB59CBE35.2__= Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Call for Papers The Art of Deception in Nabokov's Ada 40th Anniversary Convention, Northeast Modern Language Association (NeMLA) Feb. 26-March 1, 2009 Hyatt Regency, Boston, Massachusetts Vladimir Nabokov=92s novel Ada involves authorial deception on multiple = levels. Nabokov believed that the job of the author was not to portray = reality, but to create it, and that is what both he and his protagonist, = Van Veen, do in Ada. Papers discussing the author=92s role in the = relationship between art and reality in Ada will be considered. Please = send submissions (as MSWord attachments) to Sarah Kingston, sarahesanislo@a= ol.com. =20 Deadline: September 15, 2008 Please include with your abstract: Name and Affiliation Email address Postal address Telephone number A/V requirements (if any; $10 handling fee) The complete Call for Papers for the 2009 Convention will be posted in = June: www.nemla.org Interested participants may submit abstracts to more than one NeMLA panel; = however panelists can only present one paper. Convention participants may = present a paper at a panel or seminar and also present at a creative = session or participate in a roundtable. Search archive with Google: http://www.google.com/advanced_search?q=3Dsite:listserv.ucsb.edu&HL=3Den Contact the Editors: mailto:nabokv-l@utk.edu,nabokv-l@holycross.edu Visit Zembla: http://www.libraries.psu.edu/nabokov/zembla.htm View Nabokv-L policies: http://web.utk.edu/~sblackwe/EDNote.htm Visit "Nabokov Online Journal:" http://www.nabokovonline.com Manage subscription options: http://listserv.ucsb.edu/ Search archive with Google: http://www.google.com/advanced_search?q=3Dsite:listserv.ucsb.edu&HL=3Den Contact the Editors: mailto:nabokv-l@utk.edu,nabokv-l@holycross.edu Visit Zembla: http://www.libraries.psu.edu/nabokov/zembla.htm View Nabokv-L policies: http://web.utk.edu/~sblackwe/EDNote.htm Visit "Nabokov Online Journal:" http://www.nabokovonline.com Manage subscription options: http://listserv.ucsb.edu/ --=__PartB59CBE35.2__= Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Call for Papers

The Art of Deception in Nabokov's Ada

40th Anniversary Convention, Northeast Modern Language Association = (NeMLA)
Feb. 26-March 1, 2009
Hyatt Regency, Boston, Massachusetts

Vladimir Nabokov=E2=80=99s novel Ada = involves authorial deception on multiple levels.  Nabokov believed that the job of the author was not = to portray reality, but to create it, and that is what both he and his = protagonist, Van Veen, do in Ada.  Papers discussing the author=E2=80=99s role in the = relationship between art and reality in Ada will be considered. = Please send submissions (as MSWord attachments) to Sarah Kingston, = sarahesanislo@aol.com. 
Deadline:  September 15, 2008
Please include with your abstract:
Name and Affiliation
Email address
Postal address
Telephone number
A/V requirements (if any; $10 handling fee)
The complete Call for Papers for the 2009 Convention will be posted in = June:
www.nemla.org
Interested participants may submit abstracts to more than one NeMLA panel; = however panelists can only present one paper.  Convention participants= may present a paper at a panel or seminar and also present at a creative = session or participate in a roundtable.

Get the Moviefone = Toolbar. Showtimes, theaters, movie news, & more!
Search the archive Contact the = Editors Visit "Nabokov = Online Journal"
Vi= sit Zembla View = Nabokv-L Policies Manage subscription = options

All = private editorial communications, without exception, are read by both co-editors.

Search the archive Contact the Editors Visit "Nabokov Online Journal"
Visit Zembla View Nabokv-L Policies Manage subscription options

All private editorial communications, without exception, are read by both co-editors.

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