Don and List- Another thought about Spring in Fialta; has it been commented on previously? Courierthe smoke of an indiscernible train undulated along its rounded base — and suddenly disappeared; [p429 Vintage] Courier -- presumably into the tunnel at the base of Mount St. George depicted by the ink-well souvenir. Reminded of the coital train tunnel at the conclusion of Hitchcock's North by Northwest [1949]; and believing that VN never created decorative details, I had found the passage puzzling. However, if the allusion is correct, then the operative word is SUDDENLY; the train disappears as unexpectedly as the violets appear in Nina's hand. VN may be preparing the reader for Victor's moment when he must resolve his situation - fish or cut bait as one might say politely. Not wishing the N x NW reference to be missed, VN has further prepared the reader, on p248: Courier0000,0000,0000 ...Meanwhile the big Englishman suddenly made up his mind, got up on a chair, stepped from there on to the window-sill, and stretched up till he reached that coveted corner of the frame where rested a compact furry moth, which he deftly slipped into a pill-box. '…rather like Wouwerman's white horse,' said Ferdinand, in regard to something he was discussing with Segur. 0000,807E,403E I have thought of the reference to Wouwerman's repetitive insertion of white horses in his paintings as Ferdinand's comment on Victor's repetitive but futile approaches to Nina. But additionally or otherwise: The fat English lepidopterist is one of VN's alter egos that he often inserts in his texts; as does fat, English Hitchcock appear in his films; as does Wouwerman paints his signature white horses. [As film productions take a year or two, the dates for the film's premier and the first publication of Spring in Fialta suggest that VN and Hitchcock spoke together about their work.] -Sandy Drescher 1.24.05