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Lionized in Russia as a successor to Shostakovich, Mr. Shchedrin is less known in Europe and the United States, although Leonard Bernstein, after a great success with Shchedrin’s First Concerto for Orchestra, commissioned his Second Concerto to celebrate the New York Philharmonic’s 125th anniversary in 1967. A change of publishers 20 years ago may be partially to blame. But Europe is awakening to a Shchedrin renaissance, championed by the conductor Valery Gergiev, among others, who in March will lead the Maryinsky Opera in a new production of Shchedrin’s “Dead Souls,” based on the Gogol novel. The following month, his opera based on Vladimir Nabokov’s “Lolita” will be staged in Wiesbaden, Germany.
 
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